Idea of a University
but to those faults no Catholic can be blind. We find there men possessed of many virtues, but proud, bashful, fastidious, and reserved. Why is this? it is because they think and act as if there were really nothing objective in their religion; it is because conscience to them is not the word of a lawgiver, as it ought to be, but the dictate of their own minds and nothing more; it is because they do not look out of themselves, because they do not look through and beyond their own minds to their Maker, but are engrossed in notions of what is due to themselves, to their own dignity and their own consistency. Their conscience has become a mere self-respect. Instead of doing one thing and then another, as each is called for, in faith and obedience, careless of what may be called the keeping of deed with deed, and leaving Him who gives the command to blend the portions of their conduct into a whole, their one object, however unconscious to themselves, is to paint a smooth and perfect surface, and to be able to say to themselves that they have done their duty. When they do wrong, they feel, not contrition, of which God is the object, but remorse, and a sense of degradation. They call themselves fools, not sinners; they are angry and impatient, not humble. They shut themselves up in themselves; it is misery to them to think or to speak of their own feelings; it is misery to suppose that others see them, and their shyness and sensitiveness often become morbid. As to confession, which is so natural to the Catholic, to them it is impossible; unless indeed, in cases where they have been guilty, an apology is due to their own character, is expected of them, and will be satisfactory to look back upon. They are victims of an intense self-contemplation.
There are, however, far more pleasing and interesting forms of this moral malady than that which I have been depicting: I have spoken of the effect of intellectual culture on proud natures; but it will show to greater advantage, yet with as little approximation to religious faith, in amiable and unaffected minds. Observe, Gentlemen, the heresy, as it may be called, of which I speak, is the substitution of a moral sense or taste for conscience in the true meaning of the word; now this error may be the foundation of a character of far more elasticity and grace than ever adorned the persons whom I have been describing. It is especially congenial to men of an imaginative and poetical cast of mind, who will readily accept the notion that virtue is nothing more than the graceful in conduct. Such persons, far from tolerating fear, as a principle, in their apprehension of religious and moral truth, will not be slow to call it simply gloom and superstition. Rather a philosopher’s, a gentleman’s religion, is of a liberal and generous character; it is based upon honour; vice is evil, because it is unworthy, despicable, and odious. This was the quarrel of the ancient heathen with Christianity, that, instead of simply fixing the mind on the fair and the pleasant, it intermingled other ideas with them of a sad and painful nature; that it spoke of tears before joy, a cross before a crown; that it laid the foundation of heroism in penance; that it made the soul tremble with the news of Purgatory and Hell; that it insisted on views and a worship of the Deity, which to their minds was nothing else than mean, servile, and cowardly. The notion of an All-perfect, Ever-present God, in whose sight we are less than atoms, and who, while He deigns to visit us, can punish as well as bless, was abhorrent to them; they made their own minds their sanctuary, their own ideas their oracle, and conscience in morals was but parallel to genius in art, and wisdom in philosophy.
6.
Had I room for all that might be said upon the subject, I might illustrate this intellectual religion from the history of the Emperor Julian, the apostate from Christian Truth, the foe of Christian education. He, in whom every Catholic sees the shadow of the future Anti-Christ, was all but the pattern-man of philosophical virtue. Weak points in his character he had, it is true, even in a merely poetical standard; but, take him all in all, and I cannot but recognize in him a specious beauty and nobleness of moral deportment, which combines in it the rude greatness of Fabricius or Regulus with the accomplishments of Pliny or Antoninus. His simplicity of manners, his frugality, his austerity of life, his singular disdain of sensual pleasure, his military heroism, his application to business, his literary diligence, his modesty, his clemency, his accomplishments, as I view them, go to make him one of the most eminent specimens of pagan virtue which the world has ever seen.(24) Yet how shallow, how meagre, nay, how unamiable is that virtue after all, when brought upon its critical trial by his sudden summons into the presence of his Judge! His last hours form a unique passage in history, both as illustrating the helplessness of philosophy under the stern realities of our being, and as being reported to us on the evidence of an eye-witness. “Friends and fellow-soldiers,” he said, to use the words of a writer, well fitted, both from his literary tastes and from his hatred of Christianity, to be his panegyrist, “the seasonable period of my departure is now arrived, and I discharge, with the cheerfulness of a ready debtor, the demands of nature.… I die without remorse, as I have lived without guilt. I am pleased to reflect on the innocence of my private life; and I can affirm with confidence that the supreme authority, that emanation of the divine Power, has been preserved in my hands pure and immaculate.… I now offer my tribute of gratitude to the Eternal Being, who has not suffered me to perish by the cruelty of a tyrant, by the secret dagger of conspiracy, or by the slow tortures of lingering disease. He has given me, in the midst of an honourable career, a splendid and glorious departure from this world, and I hold it equally absurd, equally base, to solicit, or to decline, the stroke of fate.…
“He reproved the immoderate grief of the spectators, and conjured them not to disgrace, by unmanly tears, the fate of a prince who in a few moments would be united with Heaven and with the stars. The spectators were silent; and Julian entered into a metaphysical argument with the philosophers Priscus and Maximus on the nature of the soul. The efforts which he made, of mind as well as body, most probably hastened his death. His wound began to bleed with great violence; his respiration was embarrassed by the swelling of the veins; he called for a draught of cold water, and as soon as he had drank it expired without pain, about the hour of midnight.”(25) Such, Gentlemen, is the final exhibition of the Religion of Reason: in the insensibility of conscience, in the ignorance of the very idea of sin, in the contemplation of his own moral consistency, in the simple absence of fear, in the cloudless self-confidence, in the serene self-possession, in the cold self-satisfaction, we recognize the mere Philosopher.
7.
Gibbon paints with pleasure what, conformably with the sentiments of a godless intellectualism, was an historical fulfilment of his own idea of moral perfection; Lord Shaftesbury had already drawn out that idea in a theoretical form, in his celebrated collection of Treatises which he has called “Characteristics of men, manners, opinions, views;” and it will be a further illustration of the subject before us, if you will allow me, Gentlemen, to make some extracts from this work.
One of his first attacks is directed against the doctrine of reward and punishment, as if it introduced a notion into religion inconsistent with the true apprehension of the beauty of virtue, and with the liberality and nobleness of spirit in which it should be pursued. “Men have not been content,” he says, “to show the natural advantages of honesty and virtue. They have rather lessened these, the better, as they thought, to advance another foundation. They have made virtue so mercenary a thing, and have talked so much of its rewards, that one can hardly tell what there is in it, after all, which can be worth rewarding. For to be bribed only or terrified into an honest practice, bespeaks little of real honesty or worth.” “If,” he says elsewhere, insinuating what he dare not speak out, “if through hope merely of reward, or fear of punishment, the creature be inclined to do the good he hates, or restrained from doing the ill to which he is not otherwise in the least degree averse, there is in this case no virtue or goodness whatever. There is no more of rectitude, piety, or sanctity, in a creature thus reformed, than there is meekness or gentleness in a tiger strongly chained, or innocence and sobriety in a monkey under the discipline of the whip.… While the will is neither gained, nor the inclination wrought upon, but awe alone prevails and forces obedience, the obedience is servile, and all which is done through it merely servile.” That is, he says that Christianity is the enemy of moral virtue, as influencing the mind by fear of God, not by love of good.
The motives then of hope and fear being, to say the least, put far into the background, and nothing being morally good but what springs simply or mainly from a love of virtue for its own sake, this love-inspiring quality in virtue is its beauty, while a bad conscience is not much more than the sort of feeling which makes us shrink from an instrument out of tune. “Some by mere nature,” he says, “others by art and practice, are masters of an ear in music, an eye in painting, a fancy in the ordinary things of ornament and grace, a judgment in proportions of all kinds, and a general good taste in most of those subjects which make the amusement and delight of the ingenious people of the world. Let such gentlemen as these be as extravagant as they please, or as irregular in their morals, they must at the same time discover their inconsistency, live at variance with themselves, and in contradiction to that principle on which they ground their highest pleasure and entertainment. Of all other beauties which virtuosos pursue, poets celebrate, musicians sing, and architects or artists of whatever kind describe or form, the most delightful, the most engaging and pathetic, is that which is drawn from real life and from the passions. Nothing affects the heart like that which is purely from itself, and of its own nature: such as the beauty of sentiments, the grace of actions, the turn of characters, and the proportions and features of a human mind. This lesson of philosophy, even a romance, a poem, or a play may teach us.… Let poets or the men of harmony deny, if they can, this force of nature, or withstand this moral magic.… Every one is a virtuoso of a higher or lower degree; every one pursues a grace … of one kind or other. The venustum, the honestum, the decorum of things will force its way.… The most natural beauty in the world is honesty and moral truth; for all beauty is truth.”
Accordingly, virtue being only one kind of beauty, the principle which determines what is virtuous is, not conscience, but taste. “Could we once convince ourselves,” he says, “of what is in itself so evident, viz., that in the very nature of things there must of necessity be the foundation of a right and wrong taste, as well in respect of inward character of features as of outward person, behaviour, and action, we should be far more ashamed of ignorance and wrong judgment in the former than in the latter of these subjects.… One who aspires to the character of a man of breeding and politeness is careful to form his judgment of arts and sciences upon right models of perfection.… He takes particular care to turn his eye from every thing which is gaudy, luscious, and of false taste. Nor is he less careful to turn his ear from every sort of music, besides that which is of the best manner and truest harmony. ’Twere to be wished we had the same regard to a right taste in life and manners.… If civility and humanity be a taste; if brutality, insolence, riot, be in the same manner a taste, … who would not endeavour to force nature as well in this respect as in what relates to a taste or judgment in other arts and sciences?”