Enneads III.8: Of Nature, Contemplation and Unity
Nature Acts on Matter Not Mechanically but by Its Potency
2. Evidently nature possesses neither hands, nor feet, nor any natural or artificial instrument. For production its only need is a matter on which to work, and which it forms. The works of nature exclude all ideas of mechanical operation; not by any impelling force, nor by using levers nor machines does it produce varied colors, nor draw the outlines of objects. Even the workmen who form wax figures, to whose work the operations of nature are often compared, cannot endue objects with colors without borrowing them from elsewhere. Besides, we must observe that these workmen contain a power which remains immutable, and by the sole means of which they produce their works with their hands. Likewise, nature contains a power which remains immovable as a whole; it has no need of some parts that would remain immovable, and others that move. It is matter alone that undergoes movement, for the forming power is in no way moved. Were the forming power moved, it would no longer be the first motor[179]; the first motor would no longer be nature, but whatever might, in its totality, be immovable.
NATURE IS IMMOVABLE AS A FORM, BUT NOT AS COMPOUND OF MATTER AND FORM.
It may be objected that the ("seminal) reason" may remain immutable, but that nature is distinct from reason, and is mutable. Considering the totality of nature, we include reason. Considering only one of its parts as immutable, this part still will be reason. Nature must be a form, and not a composite of matter and form. What need would it have of a matter that might be either cold or hot, since matter, when subjected to form, either possesses these qualities, or receives them, or rather undergoes the action of reason before having any qualities. Indeed, it is not by fire that matter becomes fire, but by reason. Consequently, in animals and plants, it is the "reasons" that produce[180]; and nature is a reason that produces other reasons, imparting some of herself to the substance subjected to her influence, while remaining within herself. The reason that consists in a visible shape occupies the last rank; it is dead, and produces nothing. The living "reason" (which administers the body of the living being), being sister to the "reason" that produced the visible form (in begetting the body of the living being), and possessing the same power as this reason, alone produces within the begotten being.[181]
BOTH NATURE AND REASON ARE CONTEMPLATION; WHILE UNIVERSAL REASON IS BOTH SOUL AND NATURE.
3. (2). How does nature produce? And how, in producing, does she arrive at contemplation? Since she produces while remaining immovable within herself, and as she is a "reason," she is a contemplation also. Indeed, every action is produced according to a "reason," and consequently differs from it. Reason assists and presides over action, and consequently is not an action. Since reason is not an action, it is a contemplation. In universal Reason, the reason which holds the last rank itself proceeds from contemplation, and in this sense still deserves the name of contemplation because it is produced by the contemplation (of the soul). However universal Reason, which is superior to the latter reason, may be considered under two points of view, as soul and as nature. (Let us begin by nature.)
THE REASON OF NATURE IS THE RESULT OF AN IMMOVABLE CONTEMPLATION.
Does reason, considered as nature, also derive from contemplation? Yes, but on condition that it has contemplated itself somewhat; for it is produced by a contemplation and a principle which was contemplated. How does it contemplate itself? It does not possess this mode of contemplation which proceeds from (discursive) reason; that is to say, which consists in discursively considering what one has in himself. Being a living "reason" and a productive power, how could it fail discursively to consider what it contains? Because one considers discursively only what he does not yet possess. Now as nature possesses, she produces by the mere fact that she possesses. To be what she is and to produce what she produces are identical. Because she is "reason," she simultaneously is contemplation and contemplated object. As she is all three: contemplation, contemplated object, and "reason," nature produces by the mere fact that it is in her essence to be these things. As we have shown, evidently action is a sort of contemplation; for it is the result of the contemplation that remains immutable, which does nothing but contemplate, and which produces by its mere contemplation.
NATURE'S CONFESSION THAT HER MOTHER IS UNIVERSAL REASON, AND HER FATHER THE FORMAL REASONS.
4. (3). If anybody were to ask nature why she produces, Nature, if at all willing to listen and answer would say, "You should not have questioned me; you should have tried to understand, keeping silence, as I do; for I am not in the habit of speaking. What were you to understand? Here it is. First, what is produced is the work of my silent speculation, a contemplation effected by my nature; for, myself being born of contemplation, mine is a contemplative nature. Besides, that which in me contemplates, produces a work of contemplation, like geometricians who, while contemplating, describe figures. For it is not in describing figures, but in contemplating, that I let drop from within me the lines which outline the forms of the bodies. I preserve within me the disposition of my mother (the universal Soul), and that of the principles that beget me (the formal 'reasons'). The latter, indeed, are born of contemplation: I was begotten in the same way. These principles gave birth to me without any action, by the mere fact that they are more powerful reasons, and that they contemplate themselves."
These words signify that nature is a soul begotten by a superior Soul that possesses a more potent life, and contains her contemplation silently within herself, without inclining towards that which is higher or lower. Abiding within her own essence ("being") that is, within her own rest and self-consciousness, having discovered, so far as it was possible for her, what was below her, without going out of her way to seek it, nature produced an agreeable and brilliant object. If it is desired to attribute some sort of cognition or sensation to nature, these will resemble true cognition and sensation only as those of a man who is awake resemble those of a man who is asleep.[182] For nature peaceably contemplates her object, which was born in her as effect of nature's abiding within and with herself, of herself being an object of contemplation, and herself being a silent, if weak contemplation. There is, indeed, another power that contemplates more strongly; the nature which is the image of another contemplation. Consequently, what she has produced is very weak, because a weakened contemplation can beget a weak object only.
IT IS MEN WHO ARE TOO WEAK FOR CONTEMPLATION THAT SEEK A REFUGE IN ACTION.
Likewise it is men too weak for speculation who, in action, seek a shadow of speculation and reason. Not being capable of rising to speculation, and because of their soul-weakness not being able to grasp that which in itself is intelligible, and to fill themselves therewith, though however desiring to contemplate it, these men seek, by action, to achieve that which they could not obtain by thought alone. Thus we find that action is a weakness or result of contemplation, when we act, or desire to see, or to contemplate, or to grasp the intelligible, or try to get others to grasp it, or propose to act to the extent of our ability. It is a weakness, for, after having acted, we possess nothing of what we have done; and a consequence, because we contemplate something better than we ourselves have made. What man indeed who could contemplate truth would go and contemplate its image? This is the explanation of the taste for manual arts, and for physical activity[183] (as thought Aristotle).