Imprimatur

Principles Of Psychology Vol2

Underlined text was edited by AI to fix errors.

Different Orders of Human Genius

But, now, since nature never makes a jump, it is evident that we should find the lowest men occupying in this respect an intermediate position between the brutes and the highest men. And so we do. Beyond the analogies which their own minds suggest by breaking up the literal sequence of their experience, there is a whole world of analogies which they can appreciate when imparted to them by their betters, but which they could never excogitate alone. This answers the question why Darwin and Newton had to be waited for so long. The flash of similarity between an apple and the moon, between the rivalry for food in nature and the rivalry for man’s selection, was too recondite to have occurred to any but exceptional minds. Genius, then, as has been already said, is identical with the possession of similar association to an extreme degree. Professor Bain says: “This I count the leading fact of genius. I consider it quite impossible to afford any explanation of intellectual originality except on the supposition of unusual energy on this point.” Alike in the arts, in literature, in practical affairs, and in science, association by similarity is the prime condition of success.
But as, according to our view, there are two stages in reasoned thought, one where similarity merely operates to call up cognate thoughts, and another farther stage, where the bond of identity between the cognate thoughts is noticed; so minds of genius may be divided into two main sorts, those who notice the bond and those who merely obey it. The first are the abstract reasoners, properly so called, the men of science, and philosophers—the analysts, in a word; the latter are the poets, the critics—the artists, in a word, the men of intuitions. These judge rightly, classify cases, characterize them by the most striking analogic epithets, but go no further. At first sight it might seem that the analytic mind represented simply a higher intellectual stage, and that the intuitive mind represented an arrested stage of intellectual development; but the difference is not so simple as this. Professor Bain has said that a man’s advance to the scientific stage (the stage of noticing and abstracting the bond of similarity) may often be due to an absence of certain emotional sensibilities. The sense of color, he says, may no less determine a mind away from science than it determines it toward painting. There must be a penury in one’s interest in the details of particular forms in order to permit the forces of the intellect to be concentrated on what is common to many forms. In other words, supposing a mind fertile in the suggestion of analogies, but, at the same time, keenly interested in the particulars of each suggested image, that mind would be far less apt to single out the particular character which called up the analogy than one whose interests were less generally lively. A certain richness of the æsthetic nature may, therefore, easily keep one in the intuitive stage. All the poets are examples of this. Take Homer:
“Ulysses, too, spied round the house to see if any man were still alive and hiding, trying to get away from gloomy death. He found them all fallen in the blood and dirt, and in such number as the fish which the fishermen to the low shore, out of the foaming sea, drag with their meshy nets. These all, sick for the ocean water, are strewn around the sands, while the blazing sun takes their life from them. So there the suitors lay strewn round on one another.” Or again:
“And as when a Mæonian or a Carian woman stains ivory with purple to be a cheek-piece for horses, and it is kept in the chamber, and many horsemen have prayed to bear it off; but it is kept a treasure for a king, both a trapping for his horse and a glory to the driver—in such wise were thy stout thighs, Menelaos, and legs and fair ankles stained with blood.”
A man in whom all the accidents of an analogy rise up as vividly as this, may be excused for not attending to the ground of the analogy. But he need not on that account be deemed intellectually the inferior of a man of drier mind, in whom the ground is not as liable to be eclipsed by the general splendor. Rarely are both sorts of intellect, the splendid and the analytic, found in conjunction. Plato among philosophers, and M. Taine, who cannot quote a child’s saying without describing the 'voix chantante, étonnée, heureuse’ in which it is uttered, are only exceptions whose strangeness proves the rule.
An often-quoted writer has said that Shakespeare possessed more intellectual power than any one else that ever lived. If by this he meant the power to pass from given premises to right or congruous conclusions, it is no doubt true. The abrupt transitions in Shakespeare’s thought astonish the reader by their unexpectedness no less than they delight him by their fitness. Why, for instance, does the death of Othello so stir the spectator’s blood and leave him with a sense of reconcilement? Shakespeare himself could very likely not say why; for his invention, though rational, was not ratiocinative. Wishing the curtain to fall upon a reinstated Othello, that speech about the turbaned Turk suddenly simply flashed across him as the right end of all that went before. The dry critic who comes after can, however, point out the subtle bonds of identity that guided Shakespeare’s pen through that speech to the death of the Moor. Othello is sunk in ignominy, lapsed from his height at the beginning of the play. What better way to rescue him at last from this abasement than to make him for an instant identify himself in memory with the old Othello of better days, and then execute justice on his present disowned body, as he used then to smite all enemies of the State? But Shakespeare, whose mind supplied these means, could probably not have told why they were so effective.
But though this is true, and though it would be absurd in an absolute way to say that a given analytic mind was superior to any intuitional one, yet it is none the less true that the former represents the higher stage. Men, taken historically, reason by analogy long before they have learned to reason by abstract characters. Association by similarity and true reasoning may have identical results. If a philosopher wishes to prove to you why you should do a certain thing, he may do so by using abstract considerations exclusively; a savage will prove the same by reminding you of a similar case in which you notoriously do as he now proposes, and this with no ability to state the point in which the cases are similar. In all primitive literature, in all savage oratory, we find persuasion carried on exclusively by parables and similes, and travellers in savage countries readily adopt the native custom. Take, for example, Dr. Livingstone’s argument with the negro conjuror. The missionary was trying to dissuade the savage from his fetichistic ways of invoking rain. “You see,” said he, “that, after all your operations, sometimes it rains and sometimes it does not, exactly as when you have not operated at all.” “But,” replied the sorcerer, “it is just the same with you doctors; you give your remedies, and sometimes the patient gets well and sometimes he dies, just as when you do nothing at all.” To that the pious missionary replied: “The doctor does his duty, after which God performs the cure if it pleases Him.” “Well,” rejoined the savage, “it is just so with me. I do what is necessary to procure rain, after which God sends it or withholds it according to His pleasure.”
This is the stage in which proverbial philosophy reigns supreme. “An empty sack can’t stand straight” will stand for the reason why a man with debts may lose his honesty; and “a bird in the hand is worth two in the bush” will serve to back up one’s exhortations to prudence. Or we answer the question: “Why is snow white?” by saying, “For the same reason that soap-suds or whipped eggs are white”—in other words, instead of giving the reason for a fact, we give another example of the same fact. This offering a similar instance, instead of a reason, has often been criticised as one of the forms of logical depravity in men. But manifestly it is not a perverse act of thought, but only an incomplete one. Furnishing parallel cases is the necessary first step towards abstracting the reason imbedded in them all.
As it is with reasons, so it is with words. The first words are probably always names of entire things and entire actions, of extensive coherent groups. A new experience in the primitive man can only be talked about by him in terms of the old experiences which have received names. It reminds him of certain ones from among them, but the points in which it agrees with them are neither named nor dissociated. Pure similarity must work before the abstraction can work which is based upon it. The first adjectives will therefore probably be total nouns embodying the striking character. The primeval man will say, not ‘the bread is hard,’ but ‘the bread is stone’; not ‘the face is round,’ but ‘the face is moon’; not ‘the fruit is sweet,’ but ‘the fruit is sugar-cane.’ The first words are thus neither particular nor general, but vaguely concrete; just as we speak of an ‘oval’ face, a ‘velvet’ skin, or an ‘iron’ will, without meaning to connote any other attributes of the adjective-noun than those in which it does resemble the noun it is used to qualify. After a while certain of these adjectively-used nouns come only to signify the particular quality for whose sake they are oftenest used; the entire thing which they originally meant receives another name, and they become true abstract and general terms. Oval, for example, with us suggests only shape. The first abstract qualities thus formed are, no doubt, qualities of one and the same sense found in different objects—as big, sweet; next analogies between different senses, as ‘sharp’ of taste, ‘high’ of sound, etc.; then analogies of motor combinations, or form of relation, as simple, confused, difficult, reciprocal, relative, spontaneous, etc. The extreme degree of subtlety in analogy is reached in such cases as when we say certain English art critics’ writing reminds us of a close room in which pastilles have been burning, or that the mind of certain Frenchmen is like old Roquefort cheese. Here language utterly fails to hit upon the basis of resemblance.
Over immense departments of our thought we are still, all of us, in the savage state. Similarity operates in us, but abstraction has not taken place. We know what the present case is like, we know what it reminds us of, we have an intuition of the right course to take, if it be a practical matter. But analytic thought has made no tracks, and we cannot justify ourselves to others. In ethical, psychological, and æsthetic matters, to give a clear reason for one’s judgment is universally recognized as a mark of rare genius. The helplessness of uneducated people to account for their likes and dislikes is often ludicrous. Ask the first Irish girl why she likes this country better or worse than her home, and see how much she can tell you. But if you ask your most educated friend why he prefers Titian to Paul Veronese, you will hardly get more of a reply; and you will probably get absolutely none if you inquire why Beethoven reminds him of Michael Angelo, or how it comes that a bare figure with unduly flexed joints, by the latter, can so suggest the moral tragedy of life. His thought obeys a nexus, but cannot name it. And so it is with all those judgments of experts, which even though unmotived are so valuable. Saturated with experience of a particular class of materials, an expert intuitively feels whether a newly-reported fact is probable or not, whether a proposed hypothesis is worthless or the reverse. He instinctively knows that, in a novel case, this and not that will be the promising course of action. The well-known story of the old judge advising the new one never to give reasons for his decisions, “the decisions will probably be right, the reasons will surely be wrong,” illustrates this. The doctor will feel that the patient is doomed, the dentist will have a premonition that the tooth will break, though neither can articulate a reason for his foreboding. The reason lies imbedded, but not yet laid bare, in all the countless previous cases dimly suggested by the actual one, all calling up the same conclusion, which the adept thus finds himself swept on to, he knows not how or why.
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A physiological conclusion remains to be drawn. If the principles laid down in Chapter XIV are true, then it follows that the great cerebral difference between habitual and reasoned thinking must be this: that in the former an entire system of cells vibrating at any one moment discharges in its totality into another entire system, and that the order of the discharges tends to be a constant one in time; whilst in the latter a part of the prior system still keeps vibrating in the midst of the subsequent system, and the order—which part this shall be, and what shall be its concomitants in the subsequent system—has little tendency to fixedness in time. This physical selection, so to call it, of one part to vibrate persistently whilst the others rise and subside, we found, in the chapter in question, to be the basis of similar association.‸ It would seem to be but a minor degree of that still more urgent and importunate localized vibration which we can easiest conceive to underlie the mental fact of interest, attention, or dissociation. In terms of the brain-process, then, all these mental facts resolve themselves into a single peculiarity: that of indeterminateness of connection between the different tracts, and tendency of action to focalize itself, so to speak, in small localities which vary infinitely at different times, and from which irradiation may proceed in countless shifting ways.‸ To discover, or (what more befits the present stage of nerve-physiology) to adumbrate by some possible guess, on what chemical or molecular-mechanical fact this instable equilibrium of the human brain may depend, should be the next task of the physiologist who ponders over the passage from brute to man. Whatever the physical peculiarity in question may be, it is the cause why a man, whose brain has it, reasons so much, whilst his horse, whose brain lacks it, reasons so little. We can but bequeath the problem to abler hands than our own.
But, meanwhile, this mode of stating the matter suggests a couple of other inferences. The first is brief. If focalization of brain-activity be the fundamental fact of reasonable thought, we see why intense interest or concentrated passion makes us think so much more truly and profoundly. The persistent focalization of motion in certain tracts is the cerebral fact corresponding to the persistent domination in consciousness of the important feature of the subject. When not ‘focalized,’ we are scatter-brained; but when thoroughly impassioned, we never wander from the point. None but congruous and relevant images arise. When roused by indignation or moral enthusiasm, how trenchant are our reflections, how smiting are our words! The whole network of petty scruples and by-considerations which, at ordinary languid times, surrounded the matter like a cobweb, holding back our thought, as Gulliver was pinned to the earth by the myriad Lilliputian threads, are dashed through at a blow, and the subject stands with its essential and vital lines revealed.
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The last point is relative to the theory that what was acquired habit in the ancestor may become congenital tendency in the offspring. So vast a superstructure is raised upon this principle that the paucity of empirical evidence for it has alike been matter of regret to its adherents, and of triumph to its opponents. In Chapter XXVIII we shall see what we may call the whole beggarly array of proof. In the human race, where our opportunities for observation are the most complete, we seem to have no evidence whatever which would support the hypothesis, unless it possibly be the law that city-bred children are more apt to be near-sighted than country children. In the mental world we certainly do not observe that the children of great travellers get their geography lessons with unusual ease, or that a baby whose ancestors have spoken German for thirty generations will, on that account, learn Italian any the less easily from its Italian nurse. But if the considerations we have been led to are true, they explain perfectly well why this law should not be verified in the human race, and why, therefore, in looking for evidence on the subject, we should confine ourselves exclusively to lower animals. In them fixed habit is the essential and characteristic law of nervous action. The brain grows to the exact modes in which it has been exercised, and the inheritance of these modes—then called instincts—would have in it nothing surprising. But in man the negation of all fixed modes is the essential characteristic. He owes his whole pre-eminence as a reasoner, his whole human quality of intellect, we may say, to the facility with which a given mode of thought in him may suddenly be broken up into elements, which recombine anew. Only at the price of inheriting no settled instinctive tendencies is he able to settle every novel case by the fresh discovery by his reason of novel principles. He is, par excellence, the educable animal. If, then, the law that habits are inherited were found exemplified in him, he would, in so far forth, fall short of his human perfections; and, when we survey the human races, we actually do find that those which are most instinctive at the outset are those which, on the whole, are least educated in the end. An untutored Italian is, to a great extent, a man of the world; he has instinctive perceptions, tendencies to behavior, reactions, in a word, upon his environment, which the untutored German wholly lacks. If the latter be not drilled, he is apt to be a thoroughly loutish personage;
but, on the other hand, the mere absence in his brain of definite innate tendencies enables him to advance by the development, through education, of his purely reasoned thinking, into complex regions of consciousness that the Italian may probably never approach.
We observe an identical difference between men as a whole and women as a whole. A young woman of twenty reacts with intuitive promptitude and security in all the usual circumstances in which she may be placed. Her likes and dislikes are formed; her opinions, to a great extent, the same that they will be through life. Her character is, in fact, finished in its essentials. How inferior to her is a boy of twenty in all these respects! His character is still gelatinous, uncertain what shape to assume, ‘trying it on’ in every direction. Feeling his power, yet ignorant of the manner in which he shall express it, he is, when compared with his sister, a being of no definite contour. But this absence of prompt tendency in his brain to set into particular modes is the very condition which insures that it shall ultimately become so much more efficient than the woman’s. The very lack of preappointed trains of thought is the ground on which general principles and heads of classification grow up; and the masculine brain deals with new and complex matter indirectly by means of these, in a manner which the feminine method of direct intuition, admirably and rapidly as it performs within its limits, can vainly hope to cope with.
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In looking back over the subject of reasoning, one feels how intimately connected it is with conception; and one realizes more than ever the deep reach of that principle of selection on which so much stress was laid towards the close of Chapter IX. As the art of reading (after a certain stage in one’s education) is the art of skipping, so the art of being wise is the art of knowing what to overlook. The first effect on the mind of growing cultivated is that processes once multiple get to be performed by a single act. Lazarus has called this the progressive ‘condensation’ of thought. But in the psychological sense it is less a condensation than a loss, a genuine dropping out and throwing overboard of conscious content. Steps really sink from sight. An advanced thinker sees the relations of his topics in such masses and so instantaneously that when he comes to explain to younger minds it is often hard to say which grows the more perplexed, he or the pupil. In every university there are admirable investigators who are notoriously bad lecturers. The reason is that they never spontaneously see the subject in the minute articulate way in which the student needs to have it offered to his slow reception. They grope for the links, but the links do not come. Bowditch, who translated and annotated Laplace’s Mécanique Céleste, said that whenever his author prefaced a proposition by the words ‘it is evident,’ he knew that many hours of hard study lay before him.
When two minds of a high order, interested in kindred subjects, come together, their conversation is chiefly remarkable for the summariness of its allusions and the rapidity of its transitions. Before one of them is half through a sentence the other knows his meaning and replies. Such genial play with such massive materials, such an easy flashing of light over far perspectives, such careless indifference to the dust and apparatus that ordinarily surround the subject and seem to pertain to its essence, make these conversations seem true feasts for gods to a listener who is educated enough to follow them at all. His mental lungs breathe more deeply, in an atmosphere more broad and vast than is their wont. On the other hand, the excessive explicitness and short-windedness of an ordinary man are as wonderful as they are tedious to the man of genius. But we need not go as far as the ways of genius. Ordinary social intercourse will do. There the charm of conversation is in direct proportion to the possibility of abridgment and elision, and in inverse ratio to the need of explicit statement. With old friends a word stands for a whole story or set of opinions. With new-comers everything must be gone over in detail. Some persons have a real mania for completeness, they must express every step. They are the most intolerable of companions, and although their mental energy may in its way be great, they always strike us as weak and second-rate. In short, the essence of plebeianism, that which separates vulgarity from aristocracy, is perhaps less a defect than an excess, the constant need to animadvert upon matters which for the aristocratic temperament do not exist. To ignore, to disdain to consider, to overlook, are the essence of the ‘gentleman.’ Often most provokingly so; for the things ignored may be of the deepest moral consequence. But in the very midst of our indignation with the gentleman, we have a consciousness that his preposterous inertia and negativeness in the actual emergency is, somehow or other, allied with his general superiority to ourselves. It is not only that the gentleman ignores considerations relative to conduct, sordid suspicions, fears, calculations, etc., which the vulgarian is fated to entertain; it is that he is silent where the vulgarian talks; that he gives nothing but results where the vulgarian is profuse of reasons; that he does not explain or apologize; that he uses one sentence instead of twenty; and that, in a word, there is an amount of interstitial thinking, so to call it, which it is quite impossible to get him to perform, but which is nearly all that the vulgarian mind performs at all.
All this suppression of the secondary leaves the field clear,—for higher flights, should they choose to come. But even if they never came, what thoughts there were would still manifest the aristocratic type and wear the well-bred form. So great is our sense of harmony and ease in passing from the company of a philistine to that of an aristocratic temperament, that we are almost tempted to deem the falsest views and tastes as held by a man of the world, truer than the truest as held by a common person. In the latter the best ideas are choked, obstructed, and contaminated by the redundancy of their paltry associates. The negative conditions, at least, of an atmosphere and a free outlook are present in the former.
I may appear to have strayed from psychological analysis into æsthetic criticism. But the principle of selection is so important that no illustrations seem redundant which may help to show how great is its scope. The upshot of what I say simply is that selection implies rejection as well as choice; and that the function of ignoring, of inattention, is as vital a factor in mental progress as the function of attention itself.‸‸‸‸‸‸‸‸‸‸‸‸‸‸‸‸‸‸‸‸‸‸‸‸‸‸‸‸‸‸‸‸‸‸‸‸‸‸‸‸‸‸‸‸‸‸‸‸‸‸‸‸‸‸‸‸‸‸‸‸‸‸‸‸‸‸‸‸