Origen Against Celsus.
Chapter 38
In the next place, as it is his object to slander our Scriptures, he ridicules the following statement: “And God caused a deep sleep to fall upon Adam, and he slept: and He took one of his ribs, and closed up the flesh instead thereof. And the rib, which He had taken from the man, made He a woman,” and so on; without quoting the words, which would give the hearer the impression that they are spoken with a figurative meaning. He would not even have it appear that the words were used allegorically, although he says afterwards, that “the more modest among Jews and Christians are ashamed of these things, and endeavour to give them somehow an allegorical signification.” Now we might say to him, Are the statements of your “inspired” Hesiod, which he makes regarding the woman in the form of a myth, to be explained allegorically, in the sense that she was given by Jove to men as an evil thing, and as a retribution for the theft of “the fire;” while that regarding the woman who was taken from the side of the man (after he had been buried in deep slumber), and was formed by God, appears to you to be related without any rational meaning and secret signification? But is it not uncandid, not to ridicule the former as myths, but to admire them as philosophical ideas in a mythical dress, and to treat with contempt the latter, as offending the understanding, and to declare that they are of no account? For if, because of the mere phraseology, we are to find fault with what is intended to have a secret meaning, see whether the following lines of Hesiod, a man, as you say, “inspired,” are not better fitted to excite laughter:—
“‘Son of Iapetus!’ with wrathful heart
Spake the cloud-gatherer: ‘Oh, unmatched in art!
Exultest thou in this the flame retrieved,
And dost thou triumph in the god deceived?
But thou, with the posterity of man,
Shalt rue the fraud whence mightier ills began;
I will send evil for thy stealthy fire,
While all embrace it, and their bane desire.’
The sire, who rules the earth, and sways the pole,
Had said, and laughter fill’d his secret soul.
He bade the artist-god his hest obey,
And mould with tempering waters ductile clay:
Infuse, as breathing life and form began,
The supple vigour, and the voice of man:
Her aspect fair as goddesses above,
A virgin’s likeness, with the brows of love.
He bade Minerva teach the skill that dyes
The web with colours, as the shuttle flies;
He called the magic of Love’s Queen to shed
A nameless grace around her courteous head;
Instil the wish that longs with restless aim,
And cares of dress that feed upon the frame:
Bade Hermes last implant the craft refined
Of artful manners, and a shameless mind.
He said; their king th’ inferior powers obeyed:
The fictile likeness of a bashful maid
Rose from the temper’d earth, by Jove’s behest,
Under the forming god; the zone and vest
Were clasp’d and folded by Minerva’s hand:
The heaven-born graces, and persuasion bland
Deck’d her round limbs with chains of gold: the hours
Of loose locks twined her temples with spring flowers.
The whole attire Minerva’s curious care
Form’d to her shape, and fitted to her air.
But in her breast the herald from above,
Full of the counsels of deep thundering Jove,
Wrought artful manners, wrought perfidious lies,
And speech that thrills the blood, and lulls the wise.
Her did th’ interpreter of gods proclaim,
And named the woman with Pandora’s name;
Since all the gods conferr’d their gifts, to charm,
For man’s inventive race, this beauteous harm.”
Moreover, what is said also about the casket is fitted of itself to excite laughter; for example:—
“Whilome on earth the sons of men abode
From ills apart, and labour’s irksome load,
And sore diseases, bringing age to man;
Now the sad life of mortals is a span.
The woman’s hands a mighty casket bear;
She lifts the lid; she scatters griefs in air:
Alone, beneath the vessel’s rims detained,
Hope still within th’ unbroken cell remained,
Nor fled abroad; so will’d cloud-gatherer Jove:
The woman’s hand had dropp’d the lid above.”
Now, to him who would give to these lines a grave allegorical meaning (whether any such meaning be contained in them or not), we would say: Are the Greeks alone at liberty to convey a philosophic meaning in a secret covering? or perhaps also the Egyptians, and those of the Barbarians who pride themselves upon their mysteries and the truth (which is concealed within them); while the Jews alone, with their lawgiver and historians, appear to you the most unintelligent of men? And is this the only nation which has not received a share of divine power, and which yet was so grandly instructed how to rise upwards to the uncreated nature of God, and to gaze on Him alone, and to expect from Him alone (the fulfilment of) their hopes?
Chapter 39
But as Celsus makes a jest also of the serpent, as counteracting the injunctions given by God to the man, taking the narrative to be an old wife’s fable, and has purposely neither mentioned the paradise of God, nor stated that God is said to have planted it in Eden towards the east, and that there afterwards sprang up from the earth every tree that was beautiful to the sight, and good for food, and the tree of life in the midst of the paradise, and the tree of the knowledge of good and evil, and the other statements which follow, which might of themselves lead a candid reader to see that all these things had not inappropriately an allegorical meaning, let us contrast with this the words of Socrates regarding Eros in the Symposium of Plato, and which are put in the mouth of Socrates as being more appropriate than what was said regarding him by all the others at the Symposium. The words of Plato are as follow: “When Aphrodite was born, the gods held a banquet, and there was present, along with the others, Porus the son of Metis. And after they had dined, Penia came to beg for something (seeing there was an entertainment), and she stood at the gate. Porus meantime, having become intoxicated with the nectar (for there was then no wine), went into the garden of Zeus, and, being heavy with liquor, lay down to sleep. Penia accordingly formed a secret plot, with a view of freeing herself from her condition of poverty, to get a child by Porus, and accordingly lay down beside him, and became pregnant with Eros. And on this account Eros has become the follower and attendant of Aphrodite, having been begotten on her birthday feast, and being at the same time by nature a lover of the beautiful, because Aphrodite too is beautiful. Seeing, then, that Eros is the son of Porus and Penia, the following is his condition. In the first place, he is always poor, and far from being delicate and beautiful, as most persons imagine; but is withered, and sunburnt, and unshod, and without a home, sleeping always upon the ground, and without a covering; lying in the open air beside gates, and on public roads; possessing the nature of his mother, and dwelling continually with indigence. But, on the other hand, in conformity with the character of his father, he is given to plotting against the beautiful and the good, being courageous, and hasty, and vehement; a keen hunter, perpetually devising contrivances; both much given to forethought, and also fertile in resources; acting like a philosopher throughout the whole of his life; a terrible sorcerer, and dealer in drugs, and a sophist as well;
neither immortal by nature nor yet mortal, but on the same day, at one time he flourishes and lives when he has plenty, and again at another time dies, and once more is recalled to life through possessing the nature of his father. But the supplies furnished to him are always gradually disappearing, so that he is never at any time in want, nor yet rich; and, on the other hand, he occupies an intermediate position between wisdom and ignorance.” Now, if those who read these words were to imitate the malignity of Celsus—which be it far from Christians to do!—they would ridicule the myth, and would turn this great Plato into a subject of jest; but if, on investigating in a philosophic spirit what is conveyed in the dress of a myth, they should be able to discover the meaning of Plato, (they will admire) the manner in which he was able to conceal, on account of the multitude, in the form of this myth, the great ideas which presented themselves to him, and to speak in a befitting manner to those who know how to ascertain from the myths the true meaning of him who wove them together. Now I have brought forward this myth occurring in the writings of Plato, because of the mention in it of the garden of Zeus, which appears to bear some resemblance to the paradise of God, and of the comparison between Penia and the serpent, and the plot against Porus by Penia, which may be compared with the plot of the serpent against the man. It is not very clear, indeed, whether Plato fell in with these stories by chance, or whether, as some think, meeting during his visit to Egypt with certain individuals who philosophized on the Jewish mysteries, and learning some things from them, he may have preserved a few of their ideas, and thrown others aside, being careful not to offend the Greeks by a complete adoption of all the points of the philosophy of the Jews, who were in bad repute with the multitude, on account of the foreign character of their laws and their peculiar polity. The present, however, is not the proper time for explaining either the myth of Plato, or the story of the serpent and the paradise of God, and all that is related to have taken place in it, as in our exposition of the book of Genesis we have especially occupied ourselves as we best could with these matters.
Chapter 40
But as he asserts that “the Mosaic narrative most impiously represents God as in a state of weakness from the very commencement (of things), and as unable to gain over (to obedience) even one single man whom He Himself had formed,” we say in answer that the objection is much the same as if one were to find fault with the existence of evil, which God has not been able to prevent even in the case of a single individual, so that one man might be found from the very beginning of things who was born into the world untainted by sin. For as those whose business it is to defend the doctrine of providence do so by means of arguments which are not to be despised, so also the subjects of Adam and his son will be philosophically dealt with by those who are aware that in the Hebrew language Adam signifies man; and that in those parts of the narrative which appear to refer to Adam as an individual, Moses is discoursing upon the nature of man in general. For “in Adam” (as the Scripture says) “all die,” and were condemned in the likeness of Adam’s transgression, the word of God asserting this not so much of one particular individual as of the whole human race. For in the connected series of statements which appears to apply as to one particular individual, the curse pronounced upon Adam is regarded as common to all (the members of the race), and what was spoken with reference to the woman is spoken of every woman without exception. And the expulsion of the man and woman from paradise, and their being clothed with tunics of skins (which God, because of the transgression of men, made for those who had sinned), contain a certain secret and mystical doctrine (far transcending that of Plato) of the soul’s losing its wings, and being borne downwards to earth, until it can lay hold of some stable resting-place.