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Music in performance

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Music in the city

Should the city care what its people hear, and who has the right to judge a song?

3 readings

From Book IV of the Republic, where Socrates names what the rulers of the city must guard in its education. He cites Damon, a musician, for the saying about the “modes of music”. The Republic is Plato’s account of the just city, and its passages on music are among the oldest in the tradition.

In Book III of the Laws the Athenian speaker recalls the older order of the theatre, when judgment on songs lay with those who directed public instruction. The Laws is Plato’s last dialogue, a conversation among an Athenian, a Spartan and a Cretan on the laws of a city. The question before the speakers here is who holds “authority” over music.

Book VIII of the Politics is given to the education of the young, and music is taken up there among the subjects to be learned. The Politics is Aristotle’s work on the city and the life of its citizens. The passage speaks of music as “imitating” the “dispositions” of the mind.